Your madness

A few weeks ago, we asked you a question. We asked you what your madness was, the one that is yours, the one you carry, the one you would go through with if nothing were holding you back.

We expected to receive plans for houses. Barns to be brought back to life, old farmhouses spotted on property listings, shutters waiting to be repainted. We did receive those, of course, but we received something else as well, and it is that we want to talk to you about this evening.

We received replies that did not speak of stone. Replies that spoke of lives. A woman who wants to rebuild herself, after years that took her apart piece by piece, and who tells us she has no one else left to confide in. A man who has stayed, for decades, where he knows he should no longer be, and who watches other people's projects the way one watches the sun from inside a closed room. A woman whose friends have always said she was born to create, and who has put that talent away somewhere, the way one puts away a dress too beautiful to wear, telling oneself the occasion will come. A man who has dreamed of oceans all his life, and who has never left.

And then there were all the others. So many of you, women above all, and that struck us, who wrote to us in substance the same thing: my madness will wait. Because of my marriage. Because of the children. Because of my age. Because of what people would say. Because it isn't sensible. Because it isn't the right time. Because I'm past the age for that now.

We read those letters in the evenings, the two of us together, and there were evenings when we said nothing afterwards, because there was nothing to say.

So this Sunday, we would like to answer you. Not with advice. We have none, and we are wary of people who do. Only with what we know, from inside our own madness.

When we bought the manor, we were told it was not sensible. We were told so with kind words, with worried words, sometimes with hard ones. Three estate agents had warned us, each with the same expression: it's a project. Everyone saw the money pit. We saw something else, without quite knowing what. We signed anyway.

Then the manor burned, and for a few hours, in the night, everyone who had told us it was not sensible was right. Here is what no one ever tells you about madness: there comes a moment when the cautious are proved right. When everything collapses exactly as they predicted. That moment exists, we have lived through it, and we are not going to lie to you by pretending it never comes.

But here is the other thing no one ever tells you. In the morning, standing in the frozen garden in front of the blackened walls, we did not regret buying the manor. Not for a second. We were in pain, we were afraid, we doubted everything, except that. And it was that night we understood something that has never left us: you recover from a failure. You do not recover from giving up. Failure hurts, and then it becomes a story. Giving up does not hurt, and that is worse. It settles in. It becomes a room in the house, one you quietly close, and walk past every day, avoiding the door with your eyes.

Difficult does not mean impossible. Difficult only means it will take more heart than you expected. The manor teaches us this every week: everything here is harder than expected, everything here asks for more heart than expected, and that is precisely why this project makes us feel alive. A life without chosen difficulty is not a peaceful life. It is a life spent waiting.

And then there is that question of age, which came up in so many of your letters. I'm past the age for that now. We would like to tell you something. The man who lived in this manor before us died at over a hundred. Before him, a Paris grocer had it built when he had already lived a whole life. This house has watched entire existences pass through it, and what it teaches us is that lives are long, far longer than the deadlines we set ourselves. At forty, you may have half a century left, and at sixty, decades. The only age at which it is too late to begin is the one you will not reach.

We will not tell you to give everything up tomorrow. Real madness is not undertaken on impulse. Ours took years of saving, months of searching, and it still asks everything of us. But we would like to say this, to those of you who have entrusted us with dreams that are sleeping: a dream that sleeps is not a dream that has died. It is waiting. And it is not waiting for some grand, spectacular decision. It is waiting for one tiny first step. A listing you actually look at properly. A notebook you open. A course you sign up for. A conversation you finally dare to have. Madness never begins with a leap. It begins with a step.

To the woman rebuilding herself: you have already begun, since you found the words to say it. To those who stay: a door closed for thirty years opens the same way as a door closed for a day. To the woman whose talent sleeps: the friends who told you that you were born for it were not paying you a compliment, they were giving you a piece of information. To the man who dreams of oceans: boats set sail at every age.

You entrusted us with your madness. We keep it carefully, as we keep everything you write to us. And we hope that one day, in a year or in ten, some of you will write to us again to say: this is it. I've begun.

Those letters, we will be waiting for.

Until next Sunday,
Dimitri & David

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